Breathingroots

(A Short Story)

The perfect opportunity presented itself, a few days later. Ria, Indrani’s new daughter-in-law sat with parcels and packages strewn all around after a marathon shopping expedition. Ria and Tana aka Tanaji had come down from UK for a few weeks intending to spend the Durga Puja with friends and families. They planned to spend a few days in Delhi with Indrani and Ena before leaving for Kolkata where Ria’s family was based. Ria had just returned home after a tiring but fulfilling day and was now showing her purchases to mom-in-law.

She sat with her head bowed low on her knees, singing one of the devotional songs of Tagore in a low voice; Uncle sat beside them reading, occasionally lifting his face to look at his daughter with tenderness. At that moment, precisely I decided against revealing to them, my new found knowledge about the family dynamics.

Indeed, it is Job Charnock, the founder of the trading post of the East India Company at Chuttanutee or Sutanuti, which eventually grew into the second city of the British Empire. But it is not Job Charnock or his contribution which is our subject of interest but the “great tree”. It not only provided shade to Charnock and his companions, who resided in simple thatched huts in contrast to the large elegant structures that later came to dot the imperial city but was an important landmark for mariners.

There are many anecdotes of one-upmanship that was common among Babus (neo rich Bengali under company’s rule) of Calcutta. The rivalry between Nabakrishna Deb and Churamoni Dutta knew no bounds. the rivalry between two groups culminated in an incident that rocked the Hindu society and left it divided and subsequently, came to be known as Kaliprasadi Hungama (ruckus over Kaliprasad). Calcutta witnessed a clash of titans who were equals in terms of wealth and influence in society.

Abanindranath conceived his Bharat Mata or Banga Mata – as he had originally named the painting – very differently from later visualisations of Mother India – as a Hindu goddess, in all her finery, perched on a lion with a banner and a weapon with a map of India as a backdrop. She seemed to be an Indian version of Britannia with the lion. In contrast Tagore’s Bharat Mata, painted in ‘delicate colours’ eschewed religious connotations. She is a picture of serenity and purity; dressed in a simple garb of saffron she is more of an average Bengali woman with conch shell bangles. Depicted as a yogini (woman ascetic) she stands for renunciation and transcendentalism, very Indian in ethos.

In 1778 Kiernander’s sight failed him and for three years he was totally blind from cataract and during this time his son, Robert was in charge of his affairs. In 1781 though Kiernander had regained his sight he faced fresh troubles since he had injudiciously signed some bonds for his son and though the liabilities could have been covered by his assets the creditors were alarmed and the church and adjoining properties were brought under the hammer.